ENGELBLAU'S EMPATHETIC ENTRANCE EXAMS: SUNDAY SCHOOL FOR SCANDALOUS SAINTS
first of all you have to be free and not be manipulated, let your heart be free to listen to engelblau. He is not a conventional pedagogue. there are many songs from today that riff off the notion of pinocchio.
Empathy is the ability to understand others without having experienced the same events or shared the same existence. These entrance exams are in some way an explanation of the company, and will hopefully help to create a charitable community that we can all trust. HOME P IS FOR PIER GIORGIO PAZZO LIKE A PROPHET, AND OTHER PATRONS AND PALS 1,PUMA: THE BLACK JAG 2. THE PEDAGOGY OF THE PADRINO 3. PRANZO WITH PIO
Everyone knows and most dread the SATS, which for a long time were regarded as an "essential evil" in education. You could look upon these as the SABATO aptitude tests, since they will prepare you for the pilgrimage to Paradise where we all hope to be permanent residents. Ezra read the law and everyone wept but he told htem to rejoice instead, pig out and get lit. So this could be called SUNDAY SCHOOL FOR SAINTS. Everyone has their own opinion of this, but whatever the case, to be a full fledged member of THE VALANGA The exam list may be a bit different. To ENTER THE URIEL UNIVERSITY EDUCATIONAL SYSTEM, the following participatory exams are required: Pinocchio, Pippin, The Professional, Pier Paolo, Pier Giorgio, Peaceful Resistance, Paradise Gardens, and Paul Klee. We hope you will love these as much as the SATS are dreaded, since they are meant to create EMPATHY among us, not anxiety and competition.
If you are entering middle school, only the first part of the pinocchio exam is required. If you are entering high school, only the first part of the Pinocchio and Pippin exams are required. These exams are part of the lived experience of our company, intended to create empathy among us all. Our company truly was born in the context of an essay by Pier Paolo Pasolini "I GIOVANI INFELICI" written in the 1970s in Italy. Our society has failed its children, says the Italian filmmaker, and you can see it in their faces, in the way they carry themselves, you can hear it in their speech. Whatever one's individual opinion about the author, the essay is quite prophetic. Pasolini analyzes the profound unhappiness of the young people and proposes exactly what Luc Besson illustrates in Matilda. It is easy to dismiss both directors as abnormal and sexually deviant,--when as a matter of plain fact, in our culture, sexual purity is extremely rare-- but upon closer inspection, they are telling a truth no one else wants to face. Families are dysfunctional, authority is deranged, power crazed violent and corrupt. In this culture, the illiterate provincial hitman has inherited the best of human culture: a faith in goodness which is not destroyed by the utter evil of circumstances-- and in the end, his capacity to love Matilda when no one else cared, saved her life at the expense of his own. This reality is quite common in our world in one form or another: the forgotten people step up when the pharisees fall down on the job. The department of Health and Human services could not save Matilda, because they were "too busy", in other words, fatigued, underpaid, disillusioned. but the pragmatic assassin who considered shooting the child in the head so he wouldn't have to take care of her (similar to abortion in a sense) turns out to be the hero. One might say that Matilda is the living image of Pasolini's Gennariello, the fictitious inspiration behind his curriculum to remedy "I GIOVANI INFELICI" and he would probably be pleased, as he often spoke of a "cinema of poetry" in which the beauty of the thoughts of a poet are sweetly and sensitively translated into images on the screen. Pier Giorgio is the living and blessed answer to the problem of Matilda, the "man of the beatitudes" who radiated love and joy in the midst of World Wars and personal heartbreak. Engelblau the guardian angel knows, that it is good for the human heart to articulate experiences, to communicate one's heart to others, and "the problem of empathy" as researched by Stein and expounded by Wojytla, (we would mention dyswyz but we are not Polish and pronounce the name with difficulty) is a linchpin of Husserlian phenomenology,the pedagogical foundation of our university. We hope our experiences may be educational to people other than ourselves, though some may be offended by them, as always takes place when the sacredness of reality is faithfully represented.
We do recommend that all applicants be familiar with the standardized tests used by the Federal government as well, but the engelblau exams are tailored specifically to our mission. Since the best questions are ones you make up yourself, cf Socrates, make up a few of your own questions about Matilda and Pier Giorgio and see if anyone can answer them. Owen Barfield, a drinking buddy of Tolkien said the arc of history was bending toward PARTICIATION, meaning, we are destined to be the middlemen of the phenomeEmpathy is a sort of phenomenological economics of human life. We agree on the value of money to conduct business, and we need some similar common system to communicate our hearts as well. Curious about empathy? Read this. If you are having trouble, ask your guardian angel, if you believe in angels.na. so if you prefer that concept to empathy at this point, think of this battery of tests as the Participation proficiency tests.
*Empathy is a sort of phenomenological economics of human life. We agree on the value of money to conduct business, and we need some similar common system to communicate our hearts as well. Curious about empathy? Read this. If you are having trouble, ask your guardian angel, if you believe in angels.